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The Raid: Redemption (Gareth Evans, 2011)
Indeed, from a technical point of view, this is extremely
accomplished and doubly stirring stuff, especially once one considers its
Indonesian origin. It is mildly disappointing that the script here is not as
strong, but at least there is less time devoted to clichéd characterizations
than in the average kung-fu movie. Perhaps more troubling, at least on a second
viewing, is the impression that there is little tension to be found here. The
action exists for its own sake, emphasizing brutality over any real sense of
danger. Once it becomes apparent who the lead characters are, the plot shifts to
autopilot. The conventionality of the narrative arc may not detract from Evans’
genuine accomplishments in his fight scenes, but it does lower the stakes
somewhat. Even a “surprise” betrayal in the film’s third act takes on the smell
of obligation. These complaints have not been offered to dissuade anyone from
seeing what is probably the best martial arts film in the last few years, but
rather are intended to describe why the otherwise superlative
The Raid: Redemption falls short of
the classic status that seems well within its reach at times. 65 Jeremy Heilman 06.11.12 |