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Iron Man 2 (Jon Favreau, 2010)  
 
  
      
While the first Iron Man movie became 
a success on the basis of smart-alecky banter and big explosions, its sequel 
finds itself curiously neutered in both respects. Taking a lumpy form that bears 
more resemblance to a television series pilot than the second entry in a summer 
blockbuster franchise, the movie has an overabundance of foreshadowing that 
prevents it from really delivering as a modern action spectacle. In a curious 
decision, this film, the successor to one of the most successful superhero 
movies of our time, clearly has been designed to serve as a launch pad for 
Marvel’s upcoming superhero movies. This results in a nonstop introduction of 
characters and ultimately bloats the runtime to the extent that the impact of
Iron Man 2’s three action sequences 
is diluted. Between reintroducing the original film’s cast, adding a half-dozen 
new characters, and setting up a series of spin-off films, this
Iron Man’s script is so 
exposition-heavy that a robot is utilized to explain the finer details of many 
major plot developments. As a comic book publisher, Marvel never seemed 
particularly worried about continuity, but here everything seems devoted toward 
creating the impression of a holistic world that cannot be contained by any one 
film. 
  
     What results can only be compared 
unfavorably to the earlier Iron Man 
movie. Whatever can be said about the first film, it had a certain element of 
playful surprise about it, embodied by Robert Downey Jr.’s smarmy yet likeable 
performance. Here, all of the charm and romance of the original has been ironed 
out by excess. Somewhere between the first and second films, Downey’s Stark has 
morphed from billionaire playboy to borderline psychotic. Paltrow especially 
suffers from the influx of additional cast members. Her Pepper Potts was a 
highlight of the first Iron Man 
movie, but here she is given a remarkably thankless role that stands in stark 
opposition to the co-pilot that she represented to 
Downey
before. Over the course of Iron Man 2, 
she not only has to idly stand by as her man ogles an intern/secret agent 
(fetchingly played Scarlett Johansson), but also has to suffer the indignity of 
being given control of Stark Enterprises and then resigning a week later because 
the job was too hard. Like Paltrow’s Pepper,
Iron Man 2 itself now seems worn down 
and exhausted of potential… the very opposite of summer fun. The first film’s 
warmongering subtext has now moved front and center, so that the threat here is 
that the government’s future military spending might be diverted. The CG 
spectacle is sidetracked and rendered secondary by the clunky, story-advancing 
dialogue. The end result is less disappointing than depressing.  
  
33 
Jeremy Heilman  
06.19.10 
  
  
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