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The
Biggest Chinese Restaurant in the World (Chen Weijun, 2008)
Biggest Chinese Restaurant
reports that capitalism has irrevocably altered the face of China as if it were
novel to state such a thing. “Today everyone is their own emperor”, general
manager Xiao says while explaining that the VIP room once reserved for royalty
now services anyone willing to pay for the privilege of eating there. Everywhere
in the documentary, examples of culture and commerce coexisting are present. The
film starts with a staff rally that recalls the Wal-Mart cheer. Stage shows in
the dining areas feature both traditional folk performances and advertisements
for the restaurant’s dishes. Every dish has a symbolism-laden story behind it
that justifies its presence at a given event... and its high price. The country
seems to be in the grip of a newfound obsession with money. Even traditional
celebrations now have become an excuse to spend or give lavishly. Red envelopes,
filled with “lucky money”, are exchanged constantly. This new focus on free
enterprise seems to be taking its toll on family life, however. Young girls are
separated from their parents to work far from home. One waitress states that she
hasn’t seen her husband for two years, since he is employed in another town.
Most of West Lake’s staff live in dorms, with their coworkers, instead of their
families. While this sort of thing might have been status quo in China for
decades, the continued presence of such sacrifices calls into question what kind
of freedoms are being won in the country.
All of this hustle and bustle is overseen by Qin, the restaurant’s hard-working
and pragmatic owner. She drinks more than she’d rather to please her customers,
pledges support to the Communist party to protect her workers, and trudges to
the top of a mountain to find spring water that might improve West Lake’s weak
tofu sales. A self-made woman in every respect, she has amassed a personal
fortune of about $5 million in the first three years of West Lake’s operations.
Attributing her stubbornness and desire to succeed to her abusive husband and
childhood poverty, she emerges as the film’s key figure. Just when the presence
of Qin and Xiao, the restaurant’s general manager, seem to present a simplistic
portrait of female empowerment, though, Chen opts to focus on a poor, young
waitress at West Lake who has foregone her own education to support her sister’s
efforts to become a doctor. She’s pointedly contrasted, then, with Qin’s spoiled
daughter, who admittedly has no skills to speak of, and has never had a job, yet
lives quite well. The state of the nation, it seems, resists generalities and
somewhat justifies the country’s overriding financial concerns.
The biggest problem with The Biggest
Chinese Restaurant in the World is that it clearly has not been created with
Chinese audiences in mind. It explains too many things that would be common
knowledge in China. When it focuses on the customs of a longevity banquet, a
wedding party, and a baby shower, it flags considerably. These passages feature
less of Qin’s charismatic presence, and instead offer bland cultural information
that could be gleaned from any number of sources. Just as distressing is the
fact that it’s only on rare occasions that Chen manages to offer any visceral
impression of the size of the restaurant or the quality of its cuisine. Then
again, since existing examples of the latter involve showing chefs ripping the
beating heart out of a live duck, and a timed competition in which snakes and
fish are cut up, so they can be served while still squirming on the plate,
perhaps this is for the best.
What is fortunate is that Biggest Chinese
Restaurant’s final passage is also probably its most well-organized. When
the restaurant finds itself understaffed for a celebration that turned out to be
much larger than anticipated, the audience finally gets a real sense of the
administration of running an operation of this size. Issues such as high
turnover and insufficient food orders are tackled by the management, providing a
bit of logistical insight. In general, though, this film remains interesting
without being particularly enlightening. Taken as a whole, it’s as trivial as
anything in the Guiness Book of World Records, which officially cites West Lake
as the world’s largest eating establishment. If Chen hasn’t managed to make a
movie as newsworthy as he might have hoped, though, at least he’s presented this
portrait of a unique place in a thoroughly approachable manner.
43 Jeremy Heilman 08.25.08
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