Newest Reviews:
New Movies -
The Tunnel
V/H/S
The Tall Man
Mama Africa
Detention
Brake
Ted
Tomboy
Brownian Movement
Last Ride
[Rec]³: Genesis
Hara-Kiri: Death of a Samurai
Indie Game: The Movie
Abraham Lincoln: Vampire Hunter
Old Movies -
Touki Bouki: The Journey of the Hyena
Drums Along the Mohawk
The Chase
The Heiress
Show
People
The Strange Affair of Uncle Harry
Pitfall
Driftwood
Miracle Mile
The Great Flamarion
Dark Habits
Archives -
Recap: 2000,
2001, 2002,
2003, 2004
, 2005, 2006,
2007 , 2008
, 2009 ,
2010 , 2011 ,
2012
All reviews alphabetically
All reviews by star rating
All reviews by release year
Masterpieces
Screening Log
Links
FAQ
E-mail me
HOME
| |
Real Women Have Curves (Patricia Cardoso) 2002
The first film from director Patricia Cardoso, Real
Women Have Curves is a pro-fat farce that overcomes much of its excessive
moral baggage thanks to two appealing lead performances. This teen drama follows
recent high school grad Ana (America Ferrera in her first role), a bright young
Mexican American, as she squares off with her mother (the always entertaining
Lupe Ontiveros) over virginity, college prospects, and her self image. Despite
some lousy expository scenes, which include a horrendous performance by George
Lopez as a helpful high school teacher, the movie eventually squeezes itself
into a comfortable groove. The mother/daughter square-offs are genuinely funny,
and that the film also conveys a sense of their love for each other despite
their relationship’s adversarial nature is impressive.
Whenever the film veers into didacticism, it flounders, but to write it
off entirely would ignore its positive depiction of working class “real”
Americans, an all too rare occurrence in movies. The dominant message here,
which tells us heavy women can be beautiful as well, is perhaps an even rarer
sentiment in American film. That the gung-ho attitude here ignores the health
risks involved with obesity seems a glaring oversight, however.
Cardoso’s direction isn’t particularly distinguished, and like most movies
that cater to minorities, there seems to be a bit too much underlining of the
specific details that distinguish the minority portrayed to allow things to feel
totally natural. The film’s roots as a stage play are rather apparent, and I
imagine the climactic strip tease would work much better on the stage than on
the screen. The film is often talky, but rarely boring, thanks to the sharp
dialogue. Real Women Have Curves is
hardly groundbreaking, and it usually goes for easy audience approval, by saying
obvious, popular things that only seem controversial in the first place because
of the overbearing nature of Ontiveros’ character. The portrayal of the
sweatshop where the women toil feels a bit too rosy as well. I constantly wished
the film was braver in its politics (for example, why not have Ana’s
supportive teacher be of another race?), but the ones that were presented
weren’t enough to sink this ship (after all, fat floats). I suppose it’s
easy enough to write a movie like this off as an After-School Special, and I
can’t do much to defend it against such attacks, except to point out that they
don’t make After-School Specials any more, and this fills that niche nicely.
* * *
3/28/02
Jeremy Heilman
|